June, 2009

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Value of Exposure brouhaha

Saturday, June 20th, 2009

There’s been a bit of noise recently over Google asking for illustrators & artists to provide work sans pay.  I mostly talk about photography here, so obviously there’s a bit of a bias leaning towards the “no pay doesn’t put food on the table” slant.  However, I’m also a complete unknown – so exposure might be worth it for someone in my case.

Reading over other blogs, the response is pretty virulently anti-Google.  Many thanks to A Photo Editor for his post yesterday, then. Seriously, read it.  Then read the comments below it.  This is possibly the most constructive and objective set of views I’ve seen on the subject.

Sanity on the internet.  Surely one of the four horsemen.

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Searching for a new bag

Friday, June 19th, 2009

It really is my bag, baby!  Or rather, that’s my excuse for not lugging all of my photo equipment around with me.  The problem is, I’m starting to get tired of that excuse.  More importantly, I’m starting to feel the pain of not having my equipment with me when I need it.  I’ve narrowed my search down to two choices:

I’m leaning towards the urban disguise right now.  Any thoughts?

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Fighting theft

Thursday, June 18th, 2009

What do you do to keep people from stealing your images?  Jim Goldstein has a fun (albeit incendiary for the audience) post up today.  The concept of free images on the internet isn’t new in 2009, nor do I think it’ll ever end.  I mention in his comments that I think it comes down to apathy, but it probably goes further than that.

So pardon me as I meander with my thoughts.

First, I think that it’s not so much apathy as economic apathy.  The price is generally low (online, at least), and the photographer has to go through incredible effort to collect.  In most cases, I’d wager that photographers don’t go through the effort.  How many hours of work to collect fifty bucks? I’m guessing that few victims call out the theives, so it’s worth it to try.

A second thought, which may or may not have anything to do with Gary Crabbe’s experience: without knowing the company that infringed him, I wonder if it might not have been relatively innocent.  A young developer trying to stand out snags an excellent pic & hopes she/he doesn’t get caught.  Now that person is in hot water.  Good, but worth destroying someone’s life (in the short run) for a few bucks?  Possibly – in my mid-thirties I’d probably press the claim out of principle.  Ten years ago, probably not.

I suppose I’m less empathetic now.

Third, and finally: it made me think about embedding copyrights in images.  You’ll notice that I put them there, but I keep them extremely low-key.  The problem I have is that they detract from the images.  Look at Jim’s new logo (all over his main gallery site).  It’s huge!  Contrast that with Trey Parker, who never puts an embedded copyright in his images.

I think I kinda lean in Trey’s direction, but I really really don’t like theft.  Ultimately it means less high-end photography for me to enjoy.

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Shooting through glass

Wednesday, June 17th, 2009
Sea Lion at the Sea Life Park

Sea Lion at the Sea Life Park

Some things you just don’t want to do with a point and shoot camera. Like the photo to the right – this was taken with an SLR, through several inches of Plexiglas. Ideally, you want to take this picture with a circular polarizer.

In my case, well… I’ve outgrown my camera case.  I just don’t have the space to carry a camera, several lenses, remote cables and my filters.   So I made do without.

In this case, we had about 20 minutes before the sea lions were going to be fed.  being without my tripod (probably wouldn’t carry it into a place like that, anyway), I wedged myself up agains a railing, mashed the camera into my shoulder, and took a couple.  The fun thing about this is the walking – you have to meander a bit to find a good angle that will reduce the glare.  This was the best angle available.

Another fun part of shooting through colored (lightly tinted) glass? You end up with a color cast as well as a low-contrast photo.  In the original, the sea lion blends in with the background.

Post processing to the rescue!

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On HHHDR images

Tuesday, June 16th, 2009
A view along the Seward Highway

A view along the Seward Highway

No, not a typo: Hand-Held HDR. Most tutorials recommend that you use a tripod.  I’m no different – you’ll see that some of my previous HDRs (and easily my sharpest) are all taken on a tripod. But I suffer from a problem: I’m lazy.  I don’t want to lug around a tripod, especially when I have to keep up with a four-year-old.

So what I do is take an HHHDR image (apologies to Katrin Eisman, who I originally heard the term from).  Basically, I follow the same steps as I did in my 8-steps post.  However, I set the shutter to high-speed continuous, and try to prop myself against something to keep from moving.

What you end up is something like you see with this post – it’s pretty nice, but sometimes blur creeps in (look to the bottom).  It’s not as sharp as I’d normally like, but some features (the clouds & mountains) come across extremely well.

Give it a try & let me know how it works!

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Blog board at the Sea Life Center

Monday, June 15th, 2009
Seal Life Center Bulletin Board

Sea Life Center Bulletin Board

I noticed the bulletin board to the right hanging in one of the first rooms as we walked through the Sea Life Center. It’s not all that unusual, but I thought it was pretty brave of the center to post such… Extreme views.

Hard to read? I put a larger version up on flickr.

Anyone who knows me knows that I’m not a huge believer in the whole “this is a natural cycle” theory.  I mean, sure – it could be a natural cycle of warming, but it doesn’t take a genious to realize that releasing a crap-load of toxins into the air might possibly be bad.

On the other hand, I think most Alaskans don’t really care that much.  Global warming means milder winters (seriously, the last 10 have been really mild all things considered), so it’s easy to look past.

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Motivation found, then lost again

Sunday, June 14th, 2009
A view from the Johnson Lake trailhead

A view from the Johnson Lake trailhead

I wrote yesterday’s post knowing that there would be a great opportunity for me to find motivation.  Yesterday we took a nice, long trip down to Seward – that’s 120 miles (more or less) each way.  Ostensibly, our goal was to visit the Seward Sea Life Center, which was great in its own right.

One thing I was hoping for, however, was to get that strike of inspiration back.  It kinda struck a few times – the pic to the right is a good example.  The clouds and sun creating something of a chiarascuro effect.  Look at it closer up (click on it) – it’s a fairly neat photo.  All the more impressive if you consider that it’s a 9-frame HDR.  The technique was similar to the one outlined here, except that it was completely hand-held.

After getting home and starting processing, I now realize that I let my sensor get beyond dirty.  It’ll take hours to recover most of the pics – this one is a lucky pic – the dirt is mostly obscured by the tones in the photo.

As you can guess, I’ll be writing about sensor cleaning soon enough.

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Finding Motivation

Saturday, June 13th, 2009
Young ferns, fighting through the recently-cut grass in our backyard

Young ferns, fighting through the recently-cut grass in our backyard

Sometimes it’s hard to be motivated. For me, this usually means that I’m too busy – working long hours, not enough time away from the computer, and not sleeping enough. When I get to that point, I go numb. The world is flat and uninteresting.

I can usually snap out of that by doing something new and interesting – going to someplace new, or finding a new perspective.  Witness the rooftop pic I took recently – that was inspiring.

Today?  Not so much.  It’s drizzling, but not heavily.  The mosquitoes are out, and I’m itchy.  It’s not warm, kinda dank and grey.  I’ve fought my way to the end of a tough week, but I haven’t had my normal opportunities to exercise.  I’m tired and somewhat cranky.

So I’m fairly unmotivated.  How to get around that?  Shift perspectives!  Yesterday I decided to find something that would come out decently in black & white.  Witness the ferns to the right (click for a larger pic – the larger one is much better!).

Details on this: completely manually focused.  In the flat, grey light it’s pretty uninteresting, but by boosting contrast in photoshop, the fronds begin to stand out.  Shift to black & white with NIK Silver EFex, work in some grain & add to contrast & you have this.

Not bad for 5 minutes of work.

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Fine, an Art Photo

Friday, June 12th, 2009

I don’t usually claim to be a real artsy type – my photos tend to lean towards the distinctly real end of the spectrum. That being said, I’m also a fan of Tony Sweet’s work. Would it be that I could swing a trip to one of his classes, but were I to have that same money, I’d probably invest in the same singh-ray filters that he (purportedly) uses.

That being said, the picture below is directly inspired by a technique he mentions in his Visual Literacy: Photography Workshop DVD.  It’s pretty simple: set your camera to a slow shutter speed and sweep the camera in a direction.  In this case, I went from top to bottom, and it came out with a nice abstractionist painterly effect.

Glade, Abstract

The glade behind our house, a painterly abstract

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Photographic backgrounds, another example

Thursday, June 11th, 2009
Looking up - a side view of flowers

Looking up - a side view of flowers

To the right you’ll see another example of the concept I mentioned yesterday. I was trying to do three things, which I acheived with moderate success: capture complex flowers from a different angle, throw something of interest into the background, and give an impression of the flowers reaching up to the sun.

I partially succeeded – the angle is somewhat unusual, and I did get a nice light-to-dark effect going with the falling of light on the grass.  I only came close to the concept of “reaching to the sun.”

To do this, I took a look at the background, and worked around the sides until I found an angle that interested me.  If I were to do this again, I’d probably go further away, zoom a little more, and angle the flowers to be in the lighter part of the background.  Or maybe the opposite – who knows?

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