Yesterday’s picture was an example of a high-key photo. Notice how there’s so much white in the image? That’s the “high” part of the key.
Now, how to pull this off. First of all, you need a layout for the photo. In my case, I started with a white peice of paper as a background (yeah, it was pretty big). I also added the tea, cup, plate and chocolate, deliberately picking white dishes.
So that’s the first part, making sure everything is light.
Next, setup the lighting. I did this in steps:
- Previsualize the image impact intended
I knew that I wanted to blow out the background. This means I need a strobe to cover the background (white piece of paper), and it needs to be brighter than the other light. For detail in the image, I need light coming from the front (more or less), but also from the side. Possibly above. - Setup the background light
First flash/strobe is setup. In this case, I put it to camera left, and just to the left of the cup. It’s aiming at the background. This does two things: it lightens the background (allowing me to blow it out), and it creates a backlight, which will illuminate anything translucent. This is set to 1/64th, since light in my house/studio is somewhat subdued. - Setup primary light
This is the light that illuminates the main item (the cup). It must be brighter than ambient, but not as bright as the background flash. I set it at 1/32nd, and slapped on a soft box. Due to light loss with the softbox, the effect is 1/128th (a little under that, actually) - Setup kicker light
A “kicker” would normally be a very soft light (1/128th or more for this with diffusion added) that would rim the object. In this case, we’re dealing with extremely low power, though. I opted for a reflector (ahem, a white piece of paper), aimed to send the primary light back in to the shadows - Test shots
A few test shots to flush out details. In this case, the light settings were fine. There was some tweaking of the camera settings, but they were minor. Effectively ended at: 1/125th, f/11, ISO 100.
An example:
Note how the drop is lit up by the backlight? That’s part of the benefit of the high-key imagery…
