October, 2009

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Picture comments on the Interwebs

Monday, October 12th, 2009

Joe McNally (a must-read in your RSS feed if you don’t already have it) made a comment the other day about how people on the intarwebs throw out the “awesome shot, dude” comment far too often. He’s right, and it’s something most of us have probably noticed.

Here’s the situation: you throw a photo out there, and anywhere from one to a thousand folks might say “that’s awesome” (or similar). Is it really, though? When it comes down to it, most photography is tepid at best – absolutely mediocre. My own work included.

I would like to proffer a different interpretation of those comments, however: they are more like votes than the literal “awesome” description in the statements. The more comments you get, the more awesome that picture likely was.

That’s really the point: no one will be honest (being rude marks you as a troll, so you get banned & blocked, losing your voice. Being nice is OK, but if you have nothing good to say… better to say nothing.

So if you have a photo, the real point is to take a look at how quickly people respond to it, how many, and what type.

After reading over these (sloppy) musings, I would add: this is typical of commentary from non-professionals.  These are actual consumers of much art, and I’m not sure that I’d necessarily dismiss their opinions outright.

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Biblical Interpretation

Sunday, October 11th, 2009

In a similar vein to yesterday’s (personal) revelation, a video that shows a unique interpretation to something common to U.S. (and so-called “western”) culture:

I have now re-watched it several times.  What do I like about it? Well, there’s definitely a European feel to it, although that likely comes from the Techno.  It’s not heresy, but it looks like it on the surface – it requires some deeper thought to get it.  It’s cool, but positive.  There’s a bit of subversiveness in it.  It ties in to raves and drugs.  It explores being reborn.  Graphically, it’s slick, smooth, with strong colors.  Movement is fast, implied, but stops long enough for the impression to sink in.  Jesus2000 with his followers is a great (but busy, by necessity) composition in any medium.

Just something to watch and absorb.  Enjoy!

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Expand your mind, man…

Saturday, October 10th, 2009

With art of any sort, the technical aspects are all secondary to the aesthetic ones. By which I mean: any monkey can learn to paint, photograph, draw. But to do it well? Certainly there are physical limitations and restrictions, but by and large in the arts, the technical skills and knowledge can be acquired by any able-minded person.

To apply the technique well requires a certain inborn talent and exposure to the work of others.

In this vein, I’m starting to cross over and explore other design styles.  Sometimes this means stepping outside of the realm of photography.

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At-home Ad-Hoc “light box”

Thursday, October 8th, 2009
Ware ye the fires of Hell

At-home studio shoot of a dark bottle

What you see to the right is a quick shot of some hot sauce that was done at home, to show some friends what the bottle looks like.  The setup I used is rapidly becoming one of my favorite techniques for doing a quick at-home photoshoot that looks like it should be done in a lightbox.

Basically, when you’re doing a lightbox shoot, you’re trying to create an environment where light is diffuse, outside light doesn’t interfere, and you can control all aspects of the shot. Oh, and it has to be quick!

So, setting this up: first of all, I made sure that this was taking place after dark.  No light from outside to interfere.  Then, move to a room where light can be turned off.

Now, with the lights on, setup everything.  In this case, I setup a cookie tin in the back, and stole a pane of glass from a picture frame.  This became the bottom and the sides.  Then, one flash firing towards the back – to illuminate this guy from behind.  One more flash to the right, to give a kick to the site, and for some separation from the background.  Last, a softbox overhead, to light up the tag and make the lid stand out.

Below: a look at the overall layout, courtesy of the Online Lighting Diagram Creator.

Quickshot Layout

Quickshot Layout

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Why not to get the Kindle

Wednesday, October 7th, 2009

Count me among the people who won’t be getting a Kindle.  I get it – the reason why some people like ‘em.  To be able to carry thousands of books in your hands is a mighty tempting thing.  This isn’t about the recent debacle where Amazon deleted copies of 1984 from folk’s e-readers (oh, the delicious irony), although that is reason enough to avoid it.

No, my problem is that the very thing it gives – a large variety of reading materials in your hand – is exactly what I don’t like.  Sometimes the more choices, the shorter the attention span.  When I travel, I take one, maybe two books.  That’s it.  I always finish them.  When I take more, I tend to bounce between them and never finish one.  With a Kindle?

I’d be lucky to finish a paragraph…

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Antique Technology

Tuesday, October 6th, 2009
I was recently asked if I subscribe to any paper forms of informational distribution.  The answer is yes, I subscribe to quite a few magazines.  Some of them, in the order that they came to me:
  • B&W – a fine-art industry mag.  Pretty artsy, has occasional (artistic) nudes.  I’m not currently subscribed, just pick it up on a whim from time-to-time.  It’s less technical, more image/history/film centric.  Personally like it and will likely subscribe soon.
  • American Photo – more of a “pop-photo” magazine.  Subscribed, didn’t like it much & let the subscription lapse.  The problem is it occasionally has *awesome* articles, and it’s cheap, so I’ll likely subscribe to it again in the near future.
  • Layers – a post-processing mag for graphic designers (and one of Scott Kelby’s pubs).  Decent, but I get the subscription for free (It comes with a Kelby Training subscription).  I wouldn’t pay for it on my own, though.
  • Photoshop User – another Kelby publication.  PS & Lightroom specific.  Comes with the NAPP membership.  This one I would recommend for most photographers – they’re really good at covering the more basic parts of PS, and there’s always something in there that interests other folks (I particularly like Deke’s column!).
  • LensWork – possibly the finest “magazine” on the market.  All published in B&W (even if the originals are in color), with a serious (but not overbearing) outlook and a focus on the unknown photographer.  Not as good for learning technical details, but fantastic for looking at what other people review.  And overall, fantastically edited & professionally put together.  My only complaint: it’s not a magazine, despite what they say.  It’s a fine-art literary publication.
  • National Geographic – Possibly the best mag out there for just viewing awesome photos.
  • PPA Magazine (Professional Photographers of America) – I’ll probably let it lapse.  It’s good for the studio photographer, but too much emphasis on marketing & business for my taste.  On the other hand, there are occasional ideas that are just great.  I suppose it’ll depend on the renewal rate.
  • Outdoor photographer – The few times I’ve read this, it’s been a bit too preachy for me (yes, even after loving National Geographic!), and their emphasis on lower-grade glass (lenses, surprisingly positive reviews) put me off.  It’s OK from time to time – I usually grab it before I fly out – I won’t feel to bad about leaving it in the airplane!  Not going to subscribe any time in the near future, though.
  • Pro Photo Techniques – a great mag, but tends towards the technical side.  My favorite for technical resources.
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NAPP Conference is over in Vegas

Monday, October 5th, 2009

I went last year, but due to restrictions in cash flow (read: I had to choose between this or going on a vacation to visit family), I had to pass on it this year.

That’s really it, nothing of import to say.  Just me, sad that I didn’t go.

Next year, maybe!

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Collector Print offer from TOP

Sunday, October 4th, 2009

That’s The Online Photographer for you, if you didn’t already know.  These guys (mostly Mike Johnson & Ctein) have done a great deal of work at pathetically low pay (and even worse return, I’d bet), and all for people like us.  Which is to say: people who are learning about photography.

Every now and then, he points out a deal, or has an offer that is just… extremely  well done.  Low price, good quality, etc. They’re doing that right now with a print offer for a Gordon Lewis print. Go ahead & check it out.  This isn’t your typical Flickr job – it’s well composed, has plenty of white space, looks (from here) fantastic… And the prices listed are mighty low for a collector print.

So go ahead, check it out.  The offer is only good until Wednesday (look at their site for details)…

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Despite the blahs, we can have some fun

Thursday, October 1st, 2009

Earlier this week I posted an outtake from a quick studio shoot.  Over the course of this week, I’ve released a series of these pics on Flickr.  The pics:

I’m debating as to whether I’ll post another pic tomorrow. But if I do, it’ll be the last one.

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