Observations

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Carrying Camera, Will Shoot

Saturday, April 23rd, 2011

I’m making my way through Why Photographs Work and enjoying it a great deal.  I guess. Reviewing an image by Dan Burkholder in particular (Tree and Pond in Fall), I was taken by how well this came out, despite being created and processed almost completely in his cell phone.

Not only is the processing of the image remarkable in its own right, but it’s a fine image on its own – I wouldn’t consider it any poorer than work done on higher-grade equipment.  What *really* jumped out at me was a comment by the photographer:

Decades ago I heard Jerry Uelsmann describe how the very act of having a camera with you makes you more aware of your surroundings.  That advice made so much sense that I’m practically neurotic about having one camera or another with me at all times.

This rings true with me – when I carry a camera, I am more likely to look around for excuses to use it.  I see this in my daily life, for example: currently it’s what we call “break-up” in Alaska, or just past it: the snow has mostly melted & ice is thawing – breaking up – and spring is effectively here, but everything is brown and grey and… well, not pretty at all.

After twenty-odd springs like this, I’m just not impressed, so I don’t carry my camera.  And as a result, I don’t notice the drabness quite so much. During other times of the year, I carry my camera compulsively.

It appears that Mr. Burkholder gets this same benefit from his iPhone.  Interestingly, I do not.

Time to get back into the habit.

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The Color Blue

Thursday, April 14th, 2011

Underwater photographs.  I’ve mentioned before that I often desaturate them, as the colors bring nothing and often distract. This is not always the case, however.  Take this image:

Swimming through Cathedrals I

Swimming through Cathedrals I

Normally I would have converted to black and white.  This time it felt better in color: the tonality in the blues speak to the depth, and the enclosure, and the escape from said enclosure just outside. The heavier feelings associated with blues also speaks to the overall gloom of such an environment.

So a reminder to self: just because the typical rule would be to desaturate, always be sure to review it in color.

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Bitey Thing

Friday, April 8th, 2011

I tend to avoid diving on many charter boats.  It’s often not the fault of the dive operators, but the other divers: they’re always in a hurry, always rushing…

…and as a result, losing bottom time and using up air due to the exertion.  When it comes to diving, the longer you’re down below, the more you’ll see.  Inevitably it seems that it’s towards the end of dives that the unique things present themselves.  Take this guy, for example:

Juvenile Whitemouth Moray (maybe)

Juvenile Whitemouth Moray (maybe)

Image details: I believe that this guy is a stout moray. It’s pretty similar to a juvenile whitemouth moray, but it lacks the shock-white mouth.  ID’d in The Ultimate Guide to Hawaiian Reef Fishes.  Highly recommended book if you’re diving the islands!

We found this guy at the very end of a shore dive at Black Rock, near Ka’anapali, Maui. If hurried along, we’d have passed him – he was tucked in under the hard coral that you see here, well out of site from snorkelers.  In fact, I saw him when looking down & behind me.

Don’t rush.  Hurry and you’ll miss things, even above water.

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The Film effect on Underwater Digital Photography

Tuesday, April 5th, 2011

Perhaps this title is a bit misleading.  Think of this as more of personal observations of how shooting black and white film over the winter led to new perspectives and improved results when I went back to digital for our recent vacation.

There were three areas where I felt improvement was particularly noticeable:

  • Composition;
  • Contrast in Tonality;
  • Improved wide-angle perspective;

Click to continue »

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Flyover

Sunday, April 3rd, 2011
Overhead Flyover

Overhead Flyover

A great example of what I love about diving – going along, minding my own business, and notice my dive buddy pointing frantically.  Roll over onto my back, and this is what I see.

Good thing the camera was ready.

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Sunrise in Late Winter

Wednesday, March 2nd, 2011

I noted the other day that there is a short period of time when images are just… well, incredible.  Witness:

Late Winter Sunrise, in HDR

Late Winter Sunrise, in HDR

Here’s the thing: the sun is low, and for quite a while.  It’s spreading those pinkish-purplish hues all over – and to that side, it’s nothing but snow & ice fields.  That lovely, lovely light just bounces all over the place.  And if there are clouds, it bounces right back down, with an incredible display of color.

Alpenglow, locals call it.

Late last week, that was going on all over the place. Caught a bit of it, although late – the price of responsibility, I suppose.  Still, with HDR & some manipulation, I got close.

The truth-in-advertising section: when the reds were there, they were much more red and less orange.  Brighter, but deeper.  By the time I managed to capture the image, it was lighter – turning to a pinkish-purplish pastel.  By merging HDR, I recaptured the intensity, but it overdid the color on the mountains.  Desat there & we’re getting closer to the reality.

But playing around, and I liked this the most.  You’re looking at O’Malley Peak, over Anchorage, Alaska.

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Missed the Maisel’s Birthday

Sunday, January 23rd, 2011

Shit. At least the Online Photographer didn’t. I’m astonished to know that Jay is 80. I saw him just a couple of years ago at PhotoshopWorld, and in a video on KelbyTraining.com (read about it here).

If this is the same guy you see here, then I’m just not buying it. No way that dude is 80, especially if he was a cigar smoker.

A living legend, though.  I’d probably shell out the $5k for a chance to spend a week at one of his workshops, but I know I never will.  Joe McNally spends time at those workshops.  My work doesn’t even come close to the level he’d be expecting.

I just hope there’s enough time left in both of our lives for me to get there.

Dammit.

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Flickr Tenset for 2010, part 2

Monday, January 17th, 2011

Continued from Part 1, now with the ten worst images that I posted to Flickr.  There really isn’t a good reason for drawing attention to one’s failures, but again: it’s good to review where you’ve been, so that you know where you’re going.

Click to continue »

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Flickr Tenset for 2010, part 1

Wednesday, January 12th, 2011

It’s late for adding to Jim Goldstein’s ten best shots of 2010, but that won’t stop me from making one anyway. I’m not sure that these rate, anyway. Besides, reviewing images is a good east to see how far you’ve come, and gives you an idea as to where you’re heading.

So that being said, ten of my best images that were posted to Flickr. Criteria for this list: they had to mean something to me.

Click to continue »

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Photomatix 4 for Hand-Held HDR photos

Monday, January 10th, 2011

I’ve been using Photomatix 4 exclusively since it came out, and it seems more-and-more for hand-held HDR images. The results have been nothing short of spectacular, especially when they involve images with people.

It’s the semi-manual deghosting that has really done it.  I’m not at liberty to post some of the images with people in them (privacy issues), but I’ve had similar results with images such as this one:

Frost-rimmed tree branch

Frost-rimmed tree branch

For this particular image, I told it to deghost the in-focus needles.  Everything else I let ride.  If you view large, you’ll notice some ghosting around a bokeh-dot or two.  But none on the branches themselves.

It’s not as impressive as the shots with people, so you’ll have to trust me on that one (or not, I leave that up to you).

Just label me a very, very happy fan.

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