selective color

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Selective Color in Minutes

Friday, July 9th, 2010
Trail closed, selective color

Trail closed, selective color

Or seconds, as the case may be. You may remember this post from a few days ago. It was also posted to my photostream on Flickr, where one of the comments expressed surprise that the selective coloring took no more than a few minutes relative to the rest of the image (total time was two hours).

The trick to getting the selective color so quickly was twofold:

  1. I was fortunate in that the image is almost monochrome already (remember me saying that before?).
  2. I was using Photoshop CS5

To explain: if I were to do this quickly, without the editing out of distracting objects and fine-tuned sharpening, the steps to create this would boil down to:

  • Duplicate the original layer;
  • Convert new (top) layer to B&W;
  • Add a layer mask, showing all grey;
  • Punch holes in the mask to let some color through;

Looking at it like this, you would think that I hand-painted each bit of color.  This should take a lot of time, no? Well, doing it that way would take a lot of time.

I did it a better way.  Remember that this is essentially a monochrome image.  Mostly green, with some blue and some orange.  That means we can almost safely use the Color Select tool in Photoshop to select the individual elements.  The sign, for example:

  • Open Photoshop.
  • Click “Select” in the menu, then “Color Range.”
  • Click anywhere on the orange areas.
  • Move the “Fuzziness” slider until all oranges are selected (you’ll get part of the trail and a few trees, too).
  • Use the lasso tool (or marquis, which is what I used) to unselect (alt-click & drag) everything that I don’t want.

Repeat for the blues.

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A new Perspective

Sunday, July 4th, 2010

I was watching a class on Kelby Training yesterday that featured Jay Maisel. Now, I’ve seen Jay before, and I’m familiar with many of his more common comments.  There are a few things he has said that has resonated deeply with me.  The one that is sticking with me today (paraphrased):

When I get ready to take a picture, and it’s something I’ve seen before, why bother? I’m interested in something new.

Mind you, he’s not dismissing photographs for observation or study purposes. Nor for practicing technical details of photography.  He’s only speaking to his own tastes. Click to continue »

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Selective Color is so Cliche.

Saturday, July 3rd, 2010

Yet, sometimes it is appropriate.  The example commonly used  is to draw attention to something, such as a rose in a bride’s hand.  This has been done so many times, it has become cliche – almost everyone has one.  As a result, I tend to avoid this technique like the plague.

However, it is occasionally appropriate for a given photo.  For example, a photo that is already essentially a monochrome, despite being in color. Click to continue »

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Comparing Two Rendering Styles

Friday, June 18th, 2010

Look at the two images below and compare. They’re from the same image, but rendered in a slightly different manner.

Schoolyard Abstract, Color

Schoolyard Abstract, Color

Schoolyard Abstract, Black & White

Schoolyard Abstract, Black & White

The first is full color (despite appearances). The second has been converted to B&W with Silver Efex Pro.  Any preference?

I personally lean toward the full B&W version – I find that the appearance of selective color distracts a bit due to the proximity to cliche.

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